Art and design curriculum

This page is designed for Art and design subject leaders to:

 

  • View the Kapow Primary Art and design curriculum in one convenient place.
  • Discover the rationale behind Kapow Primary’s Art and design curriculum.
  • Find relevant information to support leading Art and design.

 

The Curriculum and Assessment Review final report has been released. We’re reviewing the recommendations and planning for future updates.

 

For more information, see our Curriculum updates and FAQs pages.

Screenshot of Kapow Primary’s Art and Design long-term plan showing units for EYFS to Year 4, with an overview of “Marvellous marks.”
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Contains public sector information licensed under the Open Government Licence v2.0

1. Intent

This section outlines the overall curriculum plan, including its structure, sequencing and the specific knowledge and skills students are expected to acquire.

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2. Implementation

This section outlines how the curriculum is taught in the classroom – including teaching strategies, learning activities and the use of resources. It also includes details on how the curriculum can be adapted to suit your school and cohort.

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3. Impact

This section outlines how the curriculum checks what pupils know, understand and are able to do as a result of studying Art and Design.

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Kapow Primary Art and design scheme FAQs

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It is recommended to begin each year with the drawing unit, where possible. These units often introduce or revisit key formal elements such as line, shape, form and texture, which provide a strong foundation for the development of knowledge and skills across the rest of the art curriculum.

The other units within the year can be taught in any order, as progression is designed to take place across the years and key stages – not within a single year group.

No. However, it is strongly recommended that you teach the drawing, painting and sculpture units to ensure that the children receive a broad experience that covers all the National curriculum objectives.

Many schools choose to use Kapow Primary’s condensed curriculum for Art alongside the condensed curriculum for DT, alternating between subjects each half term. For more details, refer to the Art and D&T: Condensed long-term plan.

View the Art and design: National curriculum coverage document to see the impact of omitting units on coverage of the National curriculum. Alternatively, view the Art and design: Key skills and knowledge by unit document to see the impact of omitting lessons on the coverage of our progression of knowledge and skills.

Four units of Art and design for each year group is suitable for most schools and gives full coverage of the National curriculum. Many schools choose not to teach Art and design every half term and alternate with another subject, often DT.

For schools that teach Art and design every half term, four planned units allow schools more time to focus on final pieces, larger artworks and seasonal themes. Some schools take the opportunity to supplement their curriculum with their own projects.

Yes, this allows teachers and children to bring their own creativity to the lessons and units. However, any adaptations to the subject matter or outcomes should ensure that the fundamental pedagogy of the lesson remains in place. This has been carefully thought through and developed to ensure progression in both knowledge and skills.

The Art and design: Equipment list outlines the resources needed for each unit, allowing teachers to check and prepare well in advance of teaching any units. Basic materials will be repeated across units, such as pencils, paints, sketchbooks, etc.

Most Kapow Primary Art and design units can be taught using simple materials such as pencils, paints and paper. Some units do introduce more specialist materials to give children access to techniques they might not otherwise experience. These include, for example, clay tools in sculpture units or simple equipment for techniques explored in the Craft and Design units.

These materials are carefully selected to provide good value across the curriculum. If you decide to invest in them, you will be able to use them in other year groups and units. 

It is advisable to check the materials list before starting a new year. All materials are listed clearly at the start of each unit, so you can plan your budget and order only what you need.

It is recommended that teachers review each unit before teaching it to identify the required materials and preparations. This could be in advance of the start of a new term to organise resources, gather any items that need collecting and plan for activities that may require asking pupils to bring recycled materials or need permission for short walks off-site.

Evidence in Art and design should reflect pupils’ learning and creative journey rather than being a checklist. Sketchbooks play a crucial role in this process, serving as an ongoing record of ideas, exploration, and reflection throughout a unit. They can include drawings, notes, photographs of work completed outside the sketchbook and any experimentation pupils carry out.

Final pieces also form part of the evidence, but the process leading up to them is just as valuable. You may want to record short notes from conversations with pupils, either on sticky notes added to their work or in your own records, as these discussions often show understanding that is not visible in the final artwork. Overall, useful evidence comes from sketchbooks, practical outcomes and the dialogue you have with pupils as they work.

Sketchbooks are a space for exploration and creativity, so we do not recommend marking directly onto pupils’ artwork. Feedback is most effective when it is given through conversation, guidance and reflection rather than written comments or ticks.

If your senior leadership team requires learning objectives or dates to be included, you can add these without writing on the artwork itself. For example, you might place them on the back of a piece of work or on a separate sticky note. This keeps the sketchbook focused on the creative process while still meeting school expectations.

The aim is to protect the integrity of pupils’ work and encourage thoughtful discussion rather than formal marking.

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It is advisable to review the unit outcome or the overall subject matter of the unit to determine what can be adapted without altering the key learning. The skills and knowledge should remain the same, but the subject matter can be changed to fit your school’s theme. 

For example, if a unit explores tone and mark-making, you can retain those skills but choose a different theme to further develop them. This may include sourcing alternative artwork examples or adapting some of the activities. This allows pupils to meet the learning intention while aligning with your whole-school focus.

Kapow Primary does not currently offer dedicated Art day or Art club packs. However, the archive area includes older one-off lessons that work well for standalone activities and can be adapted for art days, enrichment events or clubs. There are also art lesson ideas to specific collections, such as Christmas, Diwali and Bonfire Night, that would work well for special days and club activities.

It is still possible to teach the key ideas in the Digital units even with limited equipment. For example, by rotating small groups onto available devices and using free online editing tools.

Teachers are encouraged to allow pupils to make creative choices wherever possible. Lessons include guidance on the core materials needed, but many activities can be opened up for pupils to choose their own tools, media or approaches. 

Some lessons explicitly direct teachers to offer choices, while in others, you can embed this into your own teaching practice once routines are established. The aim is to develop independence and decision-making while ensuring the key learning remains the focus.

The Kapow Primary Art and design team love seeing what pupils create. Examples can be emailed to the enquiries address or shared on social media by tagging Kapow Primary. Permission may be confirmed before any artwork is shared on lesson pages or in promotional materials.

Many of the artworks and images used are protected by copyright. Great care is taken to source high-quality images and secure the necessary licenses and permissions for pupils to study a wide range of artists and artworks. These licences allow images to be displayed on Kapow Primary’s platform but do not allow downloads or wider distribution.

Using licensed artworks also means Kapow Primary can include images that many free resources cannot. Keeping presentations on the site helps meet copyright requirements and ensures pupils continue to access rich visual material that supports high-quality art teaching.

Artists are chosen to deepen the skills and knowledge taught in each unit. Kapow Primary selects artists who are inspiring, relevant and help to enhance learning. A broad range of artists from diverse backgrounds is included, allowing pupils to encounter a variety of styles, cultures and viewpoints. Alongside well-known names, lesser-known artists also feature to broaden pupils’ understanding of the art world.

These lessons were developed in response to teachers wanting more support with the evaluating and analysing strand. They reflect the key skills from the main unit, serving as an extension piece, which means that if these lessons are not taught, it does not affect the overall unit. 

The lessons provide pupils with structured time to explore an artwork or artist in depth, incorporating activities such as drama, speaking, and photography, which support oracy and broaden pupils’ understanding of art beyond practical making.

Sketchbooks are the best place to review each pupil’s progress, as they are a visual representation of their learning journey. Look at how their ideas develop across a unit, how confidently techniques have been applied and how pupils respond to feedback. Use the evidence from sketchbooks, final pieces and classroom conversations to comment on strengths, engagement and next steps.

You can also refer to the progression guidance and assessment spreadsheets to help you judge whether pupils are working at, above or towards expectations. Reports should reflect the pupil’s creative journey, their developing skills and their ability to explore, refine and reflect on their work.

Kapow Primary’s progression documents and assessment guidance are linked to each unit with statements on what meeting expectations looks like. Consider these statements with what you see in pupils’ sketchbooks, their practical outcomes and the conversations you have with them as they work.

Meeting expectations is about pupils demonstrating an understanding of the key skills, making thoughtful artistic decisions and applying techniques with growing confidence.

You can also use the Teacher visual art assessment tool, which shows real examples of pupils’ artwork annotated with the meeting expectations statements. This helps teachers see how the statements are applied in classroom practice. The tool is not designed to be a final judgment or a checklist and pupils’ work may look different. It simply offers visual guidance to support your understanding of what developing skills can look like in real life.

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